Guitar tab for Inner Self (var.15) by Sepultura free download and read or play online: file .txt, 17.21 kb has 101 views and 0 downloads.
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
Sepultura : ‘Inner Self Solo’ (Updated)
from the CD ‘Beneatht the Remains’
send me comments/corrections (etc.) to depressed_diseased@hotmail.com
F# F#dim
T T T *
|-14~~~~~----------20-14-19-14-|-17-14p12h14(p12)-12-11--------------11h12-|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
h e e e e s s +s +s * e e +q +e s +s
*Accidental/grace note
F# F#dim
|-14--12---11h12-14---12p11h1414--p12p11----|-------------------------------11|
|----------------------------------------13-|-12/13---------------------------|
|-------------------------------------------|-------14*14---------------------|
|-------------------------------------------|---------------------------------|
|-------------------------------------------|---------------------------------|
|-------------------------------------------|---------------------------------|
e e s +s e e +e +s s +e +e e e +e e *q +q +q e
| 3 | | 3 | | 3 | *Tie or strike, | 3 |
your choice
F# F#dim
|(11)------------11-14-------------11-|-14-11----------10-14-10----------10-|
|-------13-10-13-------13-12-10-13----|-------13-10-12----------12-10-12----|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
q e e e e e e e e e e e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 |
*For these two 1/2 bars, either do hammer/pull combinations or trem pick.
It depends on how fast you can pick... I like to pick every note there...
F# F#dim
*vib
|-14-10----------10-14/16------------20-|(20)~~~~~~~~~------------------------|
|-------12-10-12----------16p-13/19-(19)|-19~~~~~~----------------------------|
|---------------------------------------|-------------------------------------|
|---------------------------------------|-------------------------------------|
|---------------------------------------|-------------------------------------|
|---------------------------------------|-------------------------------------|
e e e e e e e +e e s +s e w *I like to put a couple of
| 3 | | 3 | | 3 | trem bar ‘warbles’ in there
for increased vib. fx.
Now for the SICK part!!...
*NOTE = h and p (hammer on and pull off) symbols will not be noted so, the tab
doesn’t look even MORE fucked. Simply Tap, then pull off.. If the next note
is lower on the string, pull off.. If the next note is higher on the string,
hammer on... Don’t pick ANYTHING unless CLEARLY STATED!!
HERE’S WHAT FINGERING I SUGGEST YOU SHOULD USE:
T 4 1 o 1 4 T 4 1 o 1 4 T 4 1 o 1 4 T 4 1 o 1 4
|-12-8-5---0-5-8---12-8-5---0-5-8--|-12-8-5---0-5-8---12-8-5---0-5-8--|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
e e e e e e e e e e e e e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 |
T 2 1 o 1 2 T 2 1 o 1 2 T 2 1 o 1 2 T 2 1 4 2 4
|-13-8-7---0-7-8---13-8-7---0-7-8-|-13-8-7---0-7-8---13-8-7----------|
|---------------------------------|-------------------------*10-8-10-| *This is
|---------------------------------|----------------------------------| the ONLY
|---------------------------------|----------------------------------| note you
|---------------------------------|----------------------------------| pick..
|---------------------------------|----------------------------------|
e e e e e e e e e e e e e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 |
T 4 3 1 o 1 4 T 4 3 1 o 1 4
|------------------------------------------------------|
|-12---8--7-5---0---5---8----12---8--7-5---0---5---8---|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
*e e s s e e e *e e s s e e e
| 3 | | 3 | | 3 | | 3 |
*Whichever suits you...
*OR I prefer to play this:
s s s s e e e e e s s
| 3 | | 3 |
T 4 3 1 o 1 4 T 4 3 1 o 1 4
|------------------------------------------------------|
|-12---8--7-5---0---5---8----12---8--7-5---0---5---8---|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
*e e s s e e e *e e s s e e e
| 3 | | 3 | | 3 | | 3 |
*As before
T 4 3 1 3 4 T 4 3 1 3 4
|-------------------------------------------------------|
|-11--8---7-----4---7---8-----11--8---7-----4---7---8---|
|-------------------------------------------------------|
|-------------------------------------------------------|
|-------------------------------------------------------|
|-------------------------------------------------------|
e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 |
T 4 3 1 3 4 T 4 3 1 3
|------------------------------------------------------------|
|-11--8---7-----4---7---8-------11----8-----7-----4-----7----|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
e e e e e e e e e e e
| 3 | | 3 | | 5 |
This part is a little difficult.
The notes are ‘pentuplets’, which means
FIVE NOTES, in this case, spaced evenly
accross the last two beats...
That should be it. PLEASE send corrections and other shit to
depressed_diseased@hotmail.com
Anyone with the PROPER tab for the Hard Lines, Sunken Cheeks solo, PLEASE send!!
ALSO -- Does anyone have the FULL tab (Rhythm AND solo) for Poison My Eyes??
Cheers. Later all
################################################################################
HERE’S MY ORIGINAL VERSION FOR THOSE OF YOU WHO CARE
################################################################################
“INNER SELF” (SOLO ONLY!!) From the CD “Beneath The Remains”
Andreas Kisser (Sepultura)
Tabbed by Simon Dawes.
I couldn’t work out the ‘pre-solo build up’ part, but here’s the solo as of
the key change into F# Minor, right up until the end.
**This is transcribed by ME, using a computer audio program.
This is tabbed by ME, using (what I hope is) common sense!! And reasoning.
--It isn’t 100% correct, but it’s close, and it’s the way I like to play it--
Enjoy!
P.S.: Will all you lazy fuckers who OWN the “Beneath The Remains” guitar book
PLEASE post the correct tab on the net!? :) ...Enjoy. --Simon Dawes
Send corrections or suggestions to Simon Dawes, depressed_diseased@hotmail.com
Here it is, MY tab of the Inner Self solo...
F# F#dim
|------------------20----19----|-17----------------------------------------|
|-19------------------19----19-|----19p17h19(p17)-17-16--------------16h17-|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
|------------------------------|-------------------------------------------|
h e e e e s s +s +s * e e +q +e s +s
*Accidental/grace note
F# F#dim
|-------------------------------------------|-------------------------------11|
|-19--17---16h17-19---17p16h1919--p17p16----|---------------------------------|
|----------------------------------------17-|-16h17----*----------------------|
|-------------------------------------------|-------19-19---------------------|
|-------------------------------------------|---------------------------------|
|-------------------------------------------|---------------------------------|
e e s +s e e +e +s s +e +e e e +e e *q +q +q e
| 3 | | 3 | | 3 | *Tie or strike, | 3 |
your choice
F# F#dim
|(11)------------11-14-------------11-|-14-11----------10-14-10----------10-|
|-------13-10-13-------13-12-10-13----|-------13-10-12----------12-10-12----|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
|-------------------------------------|-------------------------------------|
q e e e e e e e e e e e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 |
*For these two 1/2 bars, either do hammer/pull combinations or trem pick.
It depends on how fast you can pick... I like to pick every note there...
F# F#dim
*vib
|-14-10----------10-14/16------------20-|(20)~~~~~~~~~------------------------|
|-------12-10-12----------16p-13/19-(19)|-19~~~~~~----------------------------|
|---------------------------------------|-------------------------------------|
|---------------------------------------|-------------------------------------|
|---------------------------------------|-------------------------------------|
|---------------------------------------|-------------------------------------|
e e e e e e e +e e s +s e w *I like to put a couple of
| 3 | | 3 | | 3 | trem bar ‘warbles’ in there
for increased vib. fx.
Now for the SICK part!!...
*NOTE = h and p (hammer on and pull off) symbols will not be noted so, the tab
doesn’t look even MORE fucked. Simply Tap, then pull off.. If the next note
is lower on the string, pull off.. If the next note is higher on the string,
hammer on... Don’t pick ANYTHING unless CLEARLY STATED!!
HERE’S WHAT FINGERING I SUGGEST YOU SHOULD USE:
T 4 1 o 1 4 T 4 1 o 1 4 T 4 1 o 1 4 T 4 1 o 1 4
|-12-8-5---0-5-8---12-8-5---0-5-8--|-12-8-5---0-5-8---12-8-5---0-5-8--|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
|----------------------------------|----------------------------------|
e e e e e e e e e e e e e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 |
T 2 1 o 1 2 T 2 1 o 1 2 T 2 1 o 1 2 T 2 1 4 2 4
|-13-8-7---0-7-8---13-8-7---0-7-8-|-13-8-7---0-7-8---13-8-7----------|
|---------------------------------|-------------------------*10-8-10-| *This is
|---------------------------------|----------------------------------| the ONLY
|---------------------------------|----------------------------------| note you
|---------------------------------|----------------------------------| pick..
|---------------------------------|----------------------------------|
e e e e e e e e e e e e e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 | | 3 |
T 4 3 1 o 1 4 T 4 3 1 o 1 4
|------------------------------------------------------|
|-12---8--7-5---0---5---8----12---8--7-5---0---5---8---|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
*e e s s e e e *e e s s e e e
| 3 | | 3 | | 3 | | 3 |
*Whichever suits you...
*OR I prefer to play this:
s s s s e e e e e s s
| 3 | | 3 |
T 4 3 1 o 1 4 T 4 3 1 o 1 4
|------------------------------------------------------|
|-12---8--7-5---0---5---8----12---8--7-5---0---5---8---|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
*e e s s e e e *e e s s e e e
| 3 | | 3 | | 3 | | 3 |
*As before
T 4 3 1 3 4 T 4 3 1 3 4
|-------------------------------------------------------|
|-11--8---7-----4---7---8-----11--8---7-----4---7---8---|
|-------------------------------------------------------|
|-------------------------------------------------------|
|-------------------------------------------------------|
|-------------------------------------------------------|
e e e e e e e e e e e e
| 3 | | 3 | | 3 | | 3 |
T 4 3 1 3 4 T 4 3 1 3
|------------------------------------------------------------|
|-11--8---7-----4---7---8-------11----8-----7-----4-----7----|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
e e e e e e e e e e e
| 3 | | 3 | | 5 |
This part is a little difficult.
The notes are ‘pentuplets’, which means
FIVE NOTES, in this case, spaced evenly
accross the last two beats...
********************************************************************************
********************************************************************************
Go back and repeat from “THE SICK PART”, right through to the end, and then you
are done. I think. There’s most likely a few SUBTLE changes - this is INTRICATE
HEAVY METAL after all!.. But this covers most of the solo and gives you the idea
anyway.. I believe it’s important to add your own style into cover songs, so
this tab should HOPEFULLY be usefull to all you guys out there! Send comments,
questions, CORRECTIONS, and all sorts of other crizazy shit to me, Simon Dawes,
at depressed_diseased@hotmail.com... I’m sorry, I don’t know how to turn that
address into a link, you’ll have to remember it.. Thanks dudes, FUCK SHIT UP!!
Good metal bassists and drummers from NSW (Aust) email me!! MY BAND NEEDS YOU!!!
********************************************************************************
********************************************************************************
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